Meamury Font Meamury is a casual handwritten font by Grigoriy Sviridov that succeeds by being genuinely modest in the best sense: it doesn’t reach for elegance or drama, but settles into the comfortable, slightly imperfect rhythm of a real person’s everyday handwriting. The strokes have an ink-on-paper quality — slightly varied in pressure, naturally spaced — that gives text set in it a relaxed, approachable warmth without tipping into self-conscious quirk. Coverage spans 64 languages…

The Gwathmey Font The Gwathmey Script is a flowing, thin-stroked handwritten script from Creatype Studio that occupies a specific and well-executed register: sophisticated without being rigid, natural without being sloppy. Its letterforms move with an easy bounce and rhythm that keeps the eye moving across words without effort, and the consistent stroke weight — fine throughout, never dramatically tapering — gives it a clean, modern quality that separates it from heavier calligraphic scripts. The Gwathmey…

The Forbidden Fruits Font The Forbidden Fruits Font used in the movie’s title design is Wave Path, a stylized display font with flowing curves and decorative forms that create a mysterious, dark, and slightly surreal visual identity. The expressive lettering style adds a dramatic tone that fits the film’s occult and psychological themes. Wave Path is available as a free font for personal use, making it accessible for fan art and creative projects. For commercial…

Seenonim Font Seenonim is a wide grotesque sans-serif built around one of type design’s more intriguing structural choices: reversed contrast, where strokes are thicker in the horizontal direction rather than the vertical, inverting the optical logic most Latin typefaces rely on. Combined with closed apertures, geometric precision, and rounded details at the stroke terminals, the result is a face that feels simultaneously contemporary and strange in the best possible way — bold and assertive at…

Squatina Font Squatina is a condensed grotesque sans-serif that reconstructs a specific moment in French typographic history — the Antiques Modernes distributed by Tellenbach & Cie, Roman Scherer, the French Typographic Foundry, and Jacoby & fils, working from an incomplete original character set. The letterforms carry the distinctive proportional tension of that period: tightly set, slightly squat, and possessed of a graphic boldness that feels immediately usable in contemporary design. Squatina is a historically reconstructed…

Comic Lemon Font Comic Lemon is a bold, handwritten cartoon typeface that commits fully to its cheerful, expressive personality — thick strokes, buoyant letterforms, and just enough controlled irregularity to keep it feeling drawn rather than constructed. It occupies the sweet spot between legible and playful, making it a reliable choice for children’s book illustrations, game interfaces, packaging for food and confectionery, party invitations, educational materials, social media graphics, and poster headlines where warmth and…

Hangul Font Hangul is a geometric sans-serif with a genuinely unusual conceptual foundation: its letterforms are directly inspired by the structural logic of the Korean writing system, translating the modular, grid-based composition of Hangul characters into a Latin alphabet display typeface. The result is something that feels genuinely novel rather than merely stylised — a set of spliced, compartmentalised forms where each letter is built from discrete segments that echo the stacked consonant-vowel blocks of…

Textura Libera Font Textura Libera is a blackletter family that takes the historic Textura script — the dense, angular letterforms of medieval manuscripts and early printed books — and expands it into a full contemporary type system. Nine weights from Thin to Black give it a range that few blackletter families can match, allowing designers to dial the drama up or down without switching typefaces. Textura Libera is a nine-weight blackletter family in our free…

Host Grotesk Font Host Grotesk is a modern geometric sans-serif that earns its place in the grotesque tradition by being genuinely useful rather than merely decorative. The letterforms are clean without being clinical, carrying just enough optical refinement in their curves and proportions to hold attention at both headline and body text sizes — an unusual versatility for a display-leaning grotesque. With 92 supported languages spanning a broad sweep of Latin scripts, it handles multilingual…