Clesmont Font Clesmont by Drizy Font is a futuristic techno display typeface with clean lines, sharp edges, and a precise industrial quality that sits squarely within the modern sci-fi design lexicon. The letterforms balance contemporary geometry with a technological flair — structured enough to remain legible at display sizes, distinctive enough to make an immediate visual statement. It is well-suited to branding, digital art, product packaging, and website headings where a futuristic or high-tech tone…

The The Pout-Pout Fish Font The The Pout-Pout Fish Font used in the movie’s title design closely matches Spumoni LP, a commercial display font by LetterPerfect. It features playful curves, rounded edges, and a bubbly structure that creates a fun, cheerful, and family-friendly visual identity. The soft, whimsical letterforms perfectly suit animated and lighthearted storytelling. While Spumoni LP requires a commercial license, a similar free alternative font called Purple Purse offers a comparable playful style,…

Curve Font Curve by Guillermo Téllez López is a free display typeface from Valdepeñas-based designer Guillermo Téllez López — a font defined, as the name promises, by smooth, flowing curves that soften what might otherwise be a straightforward geometric construction. The result is a typeface with warmth and approachability built directly into its letterforms, making it a natural fit for branding, editorial headlines, and any project that wants clean modernism without cold edges. Personal use…

Abigail Nagita Font Abigail Nagita by Artchitype Studio is a classy display serif from Indonesia-based Artchitype Studio — a typeface that brings a measured elegance to display contexts without sacrificing the distinctiveness that makes a font worth choosing over generic alternatives. With 280+ characters covering uppercase and lowercase, alternates, and multilingual support, it is substantially built for a personal-use freebie. Its natural use cases include logos, social media posts, product packaging, and other projects where…

KDF Bukvoglot Font KDF Bukvoglot by Karina Kirillova is an experimental Cyrillic display typeface with a genuinely unusual origin story: Moscow-based designer Karina Kirillova created it by drawing one letter of the Cyrillic alphabet per day for 33 days, with a hard constraint of no more than 15 minutes per letter and a requirement that every letterform be uniquely shaped. The result is a font-solyanka — an accidental soup of letterforms — where each character…

Berlisch Font Berlisch by Drizy Font is a bold vintage-retro display serif from Drizy Studio — the kind of fat, unapologetic headline face that carries its weight with real confidence. Its thick strokes, strong serifs, and robust proportions sit squarely in the tradition of 19th-century display printing and wood-type poster typography, but with a cleanness and legibility that makes it feel immediately usable for modern branding and design contexts. Uppercase ligatures, numerals, punctuation, and multilingual…

MYKA Tryba Font MYKA Tryba by Mukhtarova Kamila is a display typeface from Moscow-based designer Kamila Mukhtarova with a genuinely distinctive structural concept: the letterforms combine narrow and wide strokes with deliberate cutouts that simultaneously evoke the proportions of Greek columns and the cross-sectional shapes of pipes — the latter being the literal meaning of the Russian word “tryba” that names the font. Free for personal and desktop commercial use. MYKA Tryba is a striking…

Canoleda Font Canoleda by Drizy Font is a geometric Art Deco display typeface that draws its visual grammar from the elegance and precision of the Art Deco era — the same language of classic movie posters, period signage, and luxury print design that defined the 1920s and 1930s. Its letterforms are structured and ornate without being overly decorative, striking the balance between nostalgic sophistication and modern usability that makes a genuinely good retro typeface. Branding,…

Candale Font IMAGE Candale by Suby Studio is a brush script typeface from Medan-based Suby Studio with a natural vintage quality that feels genuinely hand-lettered rather than digitally assembled. Its strokes carry the ink-laden variation and slight imperfection that distinguish authentic brush work from cleaner, more clinical script designs, and the overall character sits comfortably in the warm, artisanal aesthetic that works so well for logotypes, apparel, wedding stationery, product labels, and social media content.…