The Crooker Font The Crooker by Mitya Vilson is a display typeface with a distinctive, angular personality that leans into its own unconventional energy. Its letterforms carry a sense of deliberate idiosyncrasy — structured yet slightly off-kilter, bold yet controlled — giving it the kind of visual tension that makes display work feel alive. Well suited to branding with an edge, editorial headlines, music and cultural projects, and any design context that wants a typeface…
Slice Mono Font Slice Mono by Maksym Baluiev is a clean, geometric monospace display typeface with a sharp, structured presence built for brand identity work and high-impact display applications. Its uniform character spacing and bold, decisive forms give it an architectural quality — confident, contemporary, and purposeful. Whether applied to logomarks, packaging, editorial headlines, or digital interfaces, Slice Mono carries its visual weight with precision and restraint. A typeface for designers who want structure without…
Debby Font Debby by Artimasa Studio is a hand-drawn brush typeface designed to feel natural, personal, and endearingly imperfect. Its irregular, bouncy letterforms and rough brushstroke shapes give it the warmth and spontaneity of genuine handwriting — the kind that makes any composition feel touched by a human hand. Equally at home on wedding invitations, quote posters, greeting cards, logos, and social media content, Debby is the kind of versatile, welcoming script that earns its…
Balbek Pro Cut Font Balbek Pro Cut by Valentino Vergan is a modern condensed sans-serif with a distinctive geometric “cut” detail that sets it apart from its sibling, Balbek Pro. The precise notching applied to key junctions in the letterforms gives the typeface a sharp, architectural edge — a subtle but defining design decision that adds visual tension and a contemporary industrial character without compromising the clean, neutral proportions the family is known for. It…
American Slasher Font American Slasher by Dikas Studio is a sharp serif typeface purpose-built for horror, Halloween, and anything that needs an eerie, spine-chilling edge. Its pointed, edgy letterforms carry an atmosphere of dread without losing typographic coherence — making it genuinely usable for display work that needs to feel dangerous. The family spans six weights from Light to Extra Bold, giving designers a full tonal range from subtly haunting to boldly terrifying. Whether you…
Starlance II Font Starlance II by Linh Dan is a decorative display typeface with a medieval character and ornamental sensibility. Its elaborate letterforms draw from the visual vocabulary of ancient scripts and Gothic lettering — intricate, expressive, and richly textured — making it a compelling choice for titles, editorial headers, game and fantasy branding, posters, and any design context that calls for historical atmosphere with a contemporary edge. Notably, it includes Vietnamese language support alongside…
Dark Love Font Dark Love by Ana Carolina Menegon and Júlia Klem is a gothic-romantic display typeface that walks the line between darkness and elegance with quiet confidence. Its letterforms carry a dramatic, expressive quality rooted in the gothic tradition — pointed, ceremonial, and richly atmospheric — while maintaining a romantic undercurrent that makes it equally suited to dark editorial work, fashion branding, wedding aesthetics with an edge, social media graphics, and any project where…
Lost Type Font Lost Type by Mack Trinh and Đức-Hải “Harry” Đinh is a bold all-caps slab serif display typeface rooted in the visual heritage of Vietnamese urban typography — the kind of commanding letterforms that once adorned storefronts, posters, and street advertisements throughout the country’s cities. Drawing inspiration from the iconic Clarendon style while pushing toward a boxier, wider form, Lost Type achieves a heightened visual impact and strong legibility that makes it ideal…
Vertiger Font Vertiger by Ilya Designgsta is a display typeface inspired by the atmospheric poster art of mystical films from the 1950s and 60s — repetitive, rough-edged, and carrying a distinctly theatrical presence. Its letterforms have a vintage cinematic quality: slightly coarse, boldly expressive, and tinged with the sense that they belong on a film marquee or a concert poster pulled from another era. The designer describes it as “reptile-rough and a little artistic,” built…
Doodle Sans Font Doodle Sans by João G. Gonçalves is a spontaneous handwriting typeface that radiates lightness and creative energy. Its loose, irregular strokes capture the unfiltered charm of hand-drawn doodles — the kind that fills sketchbook margins and sticky notes with personality. Far from polished or rigid, it thrives in designs that call for an authentic, playful touch: casual branding, editorial illustrations, greeting cards, social content, and any project that benefits from a human…